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Crossroads: I Live Where I Like: A Graphic History (Kairos)
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DESCRIPTION BOOK : Drawn by South African political cartoonists the Trantraal brothers and Ashley Marais, Crossroads: I Live Where I Like is a graphic nonfiction history of women-led movements at the forefront of the struggle for land, housing, water, education, and safety in Cape Town over half a century. Drawing on over sixty life narratives, it tells the story of women who built and defended Crossroads, the only informal settlement that successfully resisted the apartheid bulldozers in Cape Town. The story follows women’s organized resistance from the peak of apartheid in the 1970s to ongoing struggles for decent shelter today. Importantly, this account was workshopped with contemporary housing activists and women’s collectives who chose the most urgent and ongoing themes they felt spoke to and clarified challenges against segregation, racism, violence, and patriarchy standing between the legacy of the colonial and apartheid past and a future of freedom still being fought for.
Presenting dramatic visual representations of many personalities and moments in the daily life of this township, the book presents a thoughtful and thorough chronology, using archival newspapers, posters, photography, pamphlets, and newsletters to further illustrate the significance of the struggles at Crossroads for the rest of the city and beyond. This collaboration has produced a beautiful, captivating, accessible, forgotten, and in many ways uncomfortable history of Cape Town that has yet to be acknowledged.
Crossroads: I Live Where I Like raises questions critical to the reproduction of segregation and to gender and generational dynamics of collective organizing, to ongoing anticolonial struggles and struggles for the commons, and to new approaches to social history and creative approaches to activist archives. Read more

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Orbit: Ozzy Osbourne: The Metal Madman
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DESCRIPTION BOOK : As the Godfather of Heavy Metal, Ozzy Osbourne pioneered his dark sound as the front man for Black Sabbath. As a solo artist, he has forged a legacy, influencing modern rock, reality television, and more. Jump on board the crazy train and read about the artist who occupies a special place in the Rock and Roll Hall of Fame.
As featured on CNN, Time Magazine, People Magazine, LA Times, Forbes, and MSNBC! Orbit is a comic book biography series that focuses on the people that have made a difference in the world! Read about the world of Ozzy in comic book form! Read more

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Drew Friedman's Chosen People
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DESCRIPTION BOOK : America’s greatest living portrait artist presents his favorite subjects. Artists, cartoonists, comedians, musicians, actors, politicians, the famous and the infamous, these chosen people are just that: People chosen to be rendered by the man BoingBoing calls “The greatest living portrait artist.” Subjects include Johnny Cash, Marc Maron, Redd Foxx, Gilbert Gottfried, The Marx Brothers, Hillary Clinton, Anthony Weiner, and of course Friedman favorite Shemp Howard. No one is spared the loving Friedman treatment, including Drew Friedman himself!  Full-color illustrations throughout. Read more

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The Weird World of Eerie Publications: Comic Gore That Warped Millions of Young Minds
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DESCRIPTION BOOK : Eerie Publications' horror magazines brought blood and bad taste to America's newsstands from 1965 through 1975. Ultra-gory covers and bottom-of-the-barrel production values lent an air of danger to every issue, daring you to look at (and purchase) them.
The Weird of World of Eerie Publications introduces the reader to Myron Fass, the gun-toting megalomaniac publisher who, with tyranny and glee, made a career of fishing pocketbook change from young readers with the most insidious sort of exploitation. You'll also meet Carl Burgos, who, as editor of Eerie Publications, ground his axe against the entire comics industry. Slumming comic art greats and unknown hacks were both employed by Eerie to plagiarize the more inspired work of pre-Code comic art of the 1950s.
Somehow these lowbrow abominations influenced a generation of artists who proudly blame career choices (and mental problems) on Eerie Publications. One of them, Stephen R. Bissette ( Swamp Thing , Taboo , Tyrant ), provides the introduction for this volume.
Here's the sordid background behind this mysterious comics publisher, featuring astonishingly red reproductions of many covers and the most spectacularly creepy art. Read more

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La Voz De M.A.Y.O.: Tata Rambo Vol. 1
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DESCRIPTION BOOK : LA VOZ DE M.A.Y.O: TATA RAMBO is based on the oral history of Ramon Jaurigue, an orphan and WWII veteran who co-founded the Mexican, American, Yaqui, and Others (M.A.Y.O.) organization, which successfully lobbied the Tucson City Council to improve living and working conditions for members of the Pascua Yaqui tribe, paving the way to their federal recognition. Meanwhile, Ramon’s home life suffered as his focus was pulled from his family to the wider community, and from domesticity to the adrenaline of the campaign. A resonant, neglected slice of American history is brought to life for the first time with art by J. GONZO, letter art by BERNARDO BRICE, editing by CLAIRE NAPIER, and a script by HENRY BARAJAS—the great-grandson of Ramon Jaurigue, a.k.a. Tata Rambo. Read more

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The Beats: A Graphic History
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DESCRIPTION BOOK : In The Beats: A Graphic History , those who were mad to live have come back to life through artwork as vibrant as the Beat movement itself. Told by the comic legend Harvey Pekar, his frequent artistic collaborator Ed Piskor, and a range of artists and writers, including the feminist comic creator Trina Robbins and the Mad magazine artist Peter Kuper, The Beats takes us on a wild tour of a generation that, in the face of mainstream American conformity and conservatism, became known for its determined uprootedness, aggressive addictions, and startling creativity and experimentation.
What began among a small circle of friends in New York and San Francisco during the late 1940s and early 1950s laid the groundwork for a literary explosion, and this striking anthology captures the storied era in all its incarnations―from the Benzedrine-fueled antics of Kerouac, Ginsberg, and Burroughs to the painting sessions of Jay DeFeo's disheveled studio, from the jazz hipsters to the beatnik chicks, from Chicago's College of Complexes to San Francisco's famed City Lights bookstore. Snapshots of lesser-known poets and writers sit alongside frank and compelling looks at the Beats' most recognizable faces. What emerges is a brilliant collage of―and tribute to―a generation, in a form and style that is as original as its subject. Read more

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